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Discover Mid-America
December 2005
Bedsteads : What keeps us up
Beds are of great interest to most people.
We spend more time in bed than we do anywhere else except maybe at work.
There, we spend roughly 1/3 or our lives. Still, beds SHOULD be of great
interest.
In medieval times, beds for most people were little more than nests of
blankets on the floor or on a small platform of earth or stones. The problem
was that were other critters at that same level of inhabitation
cats, the dogs, cattle and various assorted vermin and varmints.
In the castles of the times, it was easy to build a large panel bed incorporated
into the structure of the room because these people weren't going anywhere
in a hurry. It was the peasants who had to be prepared to move out in
a hurry.
In colonial America, mobility was key factor in bed design. America has
been a nation on the move since before it was a nation so a bed that could
be disassembled, transported by wagon or boat and reassembled was a valuable
asset.
One early solution to the portable sleeping platform problem was the rope
bed a suspension system of ropes pulled through or tied to a frame
of most often maple or cherry. But rope beds are singularly uncomfortable
and the rope suspension must be periodically restrung to take up the slack
generated by the stretching of the rope. All in all a cumbersome solution
to the problem whose only virtue was its elevation off the floor away
from the critters.
Another solution was the type of hardware and frame found in many late
18th century and early Federal era beds. This consisted of a frame with
a headboard, footboard and side rails, all held together by handmade bolts
(as they all were in the early Federal era) that passed through the bedpost
and engaged a nut implanted in the side rail. As the bolt was tightened
with a bed wrench, the post was held snugly to the side rail and the periodic
adjustments needed due to wood expansion and contraction
were relatively simple compared to the contortions required for a rope
bed. This type of rigid frame made the addition of a spring unit and a
thick mattress a natural addition to bed comfort.
A variation of this frame was used in the construction of Empire era beds.
But in this case the bolt was located within a channel cut in the side
rail, invisible from the exterior of the bed. The bolt penetrated into,
but not through, the post where it engaged an imbedded nut. Adjustments
were a little more inconvenient because the bedding had to be moved to
get to the bolts but the trade off was an exterior free of exposed functional
hardware.
Both of these arrangements resulted in extremely secure bed platforms
that were indeed highly portable and easy to disassemble and reassemble.
But they did have a common drawback.
They were relatively difficult to make by hand because each bolt and each
nut had to be in perfect alignment, and each bolt and each nut was handmade
and thus not necessarily interchangeable with another piece of hardware.
Woe to he who lost a bolt from a side rail or bedpost in transit. The
corresponding nut had to be dug out of the matching piece and a new set
of hardware installed not a five-minute job.
By the mid-19th century, the Industrial Revolution was well grounded in
America and nuts and bolts were no longer handmade, but a great deal of
the furniture still was. The great furniture factory systems of the Midwest
were not fully cranked up yet and most beds were still laborious cut and
assembled by hand, including installing and aligning the hardware sets
that held them all together. As the factories expanded in scope and capability
after the Civil War, those things that could not be adapted to machine
production began to fall away; beds were no exception.
The Victorian solution to bed hardware was extremely simple and easily
machine compatible. The most common approach consisted of creating a circular
race in a side rail into which was fitted what looked like a horseshoe
with a bar across the end. The result was a piece of cast iron that looked
like a capital "D" with two protrusions on the flat side. After
this device was installed in the side rail, a cover board was nailed over
it so that all that was visible were the two protrusions. These two ears
matched up with a fitting installed in the head board post and locked
the rail into the post in one downward motion. Brilliant. And all the
hardware was machine made and a good part of the installation was also
done by machinery.
The only drawback to this system, which lasted until nearly 1900, was
that it used a lot of metal, which made it heavy to ship. So naturally
another, machine oriented solution showed itself. This new method consisted
of a stamped, not cast, very thin steel fixture inserted into a slit in
the side rail and affixed by two steel pins. This fixture had two protruding
curved hooks, which entered a matching slit in the headboard post and
engaged two more steel pins using the same downward motion as the Victorian
example, thus securing the rail to the post. And it used less than 20%
of the metal of its predecessor.
This is the system most in use today and represents a technology and an
idea essentially unchanged for over 100 years.
Fred Taylor's new book "HOW TO BE A FURNITURE DETECTIVE" is
now available for $18.95 plus $2 for S & H. Send check or money order
for $20.95 to Fred Taylor, PO Box 215, Crystal River, FL 34423.
Fred and Gail Taylor's video, IDENTIFICATION OF OLDER & ANTIQUE
FURNITURE, ($29.95 includes S & H) is also available at the
same address. For more information call (800) 387-6377, fax (352) 563-2916,
or e-mail fmtaylor@aol.com.
> Common
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